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In his last column, computer science professor and aspiring rock musician Serge Belongie grapples with self doubt over his musical…
Career profile: Catherine Edwards, programmes director for Script
Catherine Edwards is programmes director for Script, the West Midlands agency for dramatic writers. Previously Stagecoach West Midlands, the organisation…
Marilyn Monroe: Larger in death
There`s a decided irony and one which probably would amuse Marilyn Monroe herself that La Diva is more famous now…
Keith Khan: Head of Culture for the London 2012 Cultural Olympiad
Keith Khan's challenge as Head of Culture for the London 2012 Cultural Olympiad is to coordinate a celebration of culture…
REVIEW: The Histories, by the RSC at the Roundhouse, London
REVIEW: Shakespeare’s history plays form two cycles. Confusingly the early cycle consists of four plays about Kings Henry VI and…
Jamila Gavin: Re-working Shakespeare
Shakespeare 24 is the largest ever global Shakespeare festival. It takes place on 23rd April, timed to coincide with what…
In conversation with Sophie Macpherson - fine art recruiter
Sophie Macpherson - if the name sounds familiar it's no wonder: Sophie runs the fine art world's best known recruitment…
Finding The Moment
Michael David Jones is in the running to be part of Birmingham's FIERCE festival with The Moment Before We Kiss,…
How to run a leading festival with one full-time staff member
It’s been described as the nearest thing the Belfast Festival has to a “fringe” even though it takes place several…
REVIEW: Testing the Echo, Tricycle Theatre, London
REVIEW: Testing the Echo is one of those plays where you only find out what the title refers to halfway…
