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What I’ve Learned: Kiana Daniele, Intimacy Coordinator and Director
Kiana Daniele discusses her work, and what she's learned, as an intimacy coordinator for stage and screen.
Cult band Angine de Poitrine and the line between tribute and imitation
In the age of the algorithm, imitation is no longer just a matter of homage.
Suzy Eddie Izzard is Hamlet – and the readiness is all
Suzy Eddie Izzard talks to ArtsHub about playing 23 characters in Hamlet and what she's learned from performing the play.
Assassin’s Creed is being adapted into a circus stage show
Assassin's Creed: Heredis will tell an original story brought to life with parkour, dancers, and acrobatic feats.
Rocky Horror turns 50 – and still refuses to behave itself
The 50th Anniversary Spectacular Tour is a loud, fan‑driven celebration of Rocky Horror’s cult legacy, complete with original cast appearances.
The Woman in Black review: two performances to fear
John Mackay and Daniel Burke anchor this unsettling ghost story at the Bristol Old Vic with performances of rare discipline,…
The Beekeeper of Aleppo review: strongest in its softest moments
A story of loss and displacement, The Beekeeper of Aleppo is an uneven production that occasionally loses its way.
Meet Fred review: a decade on, this satire is still sharp
In Meet Fred, precise puppetry and wry storytelling bring a 'blank canvas' character to life.
A Midsummer Night’s Dream review: this fresh staging knows its power
Director Holly Race Roughan's A Midsummer Night’s Dream is sharper, stranger and more human than most.
Macbeth review: Bristol's Tobacco Factory explores the ordinary roots of evil
Tobacco Factory’s ensemble‑driven Macbeth turns the spotlight from its doomed hero to the web of people who enable both his…
