Time to be seen

Experimental theatre company, 1157 performance group, have asked some audiences which 'Hamlet' speeches they would like to hear; held debates with others about HIV and AIDS; taken telephone calls and even delivered food in the middle of performances. Founding member Matthew Scott talks to Arts Hub about the company's vision as their latest show, 'Seen and not seen', premieres in Maidenhead and Lon
[This is archived content and may not display in the originally intended format.]
Artshub Logo

More than a decade ago, experimental performance artists Blast Theory created a stir when they handed audience members paintball guns and invited them to ‘shoot’ at members of the cast. The group has since moved on to award-winning online gaming pursuits, but other companies are taking their place. Earlier this year, theatrical company Shunt continued to intrigue critics with their Time Out Live Award-winning show Dance Bear Dance, in which audience members became conspirators in a plot.

Only a smattering of critics give these performances the attention they deserve. Therefore, it’s understandable if you have not yet heard of 1157 performance group – another company that has emerged over the past eight years with the desire to push the boundaries of what theatre can be and in particular, making the audience active participants. The company was established in 1995 by co-founders Matthew Scott and Jo Dagless, two actors who felt restricted by the frameworks of film and mainstream theatre, in which they had previously worked.

Unlock Padlock Icon

Unlock this content?

Access this content and more

Michelle Draper
About the Author
Michelle lived and worked in Rome and London as a freelance feature writer for two and a half years before returning to Australia to take up the position of Head Writer for Arts Hub UK. She was inspired by thousands of years of history and art in Rome, and by London's pubs. Michelle holds a BA in Journalism from RMIT University, and also writes for Arts Hub Australia.