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New moves for Scottish Dance Theatre

'The important thing about the style of our company is it's about individuals,' says Janet Smith, Artistic Director of Scottish…

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Discovering the world of architecture - on wheels

Matt Bridgestock figures that if he could cycle the length of Britain - which he did, in fact, at age…

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Digging through and crossing over

As a young boy in England, artist Eric Snell spent beach-side summers trying to dig his way to Australia. Why?…

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Just the ticket

Arts organisations now exist within an industry that is increasingly dependent upon ticketing and marketing technologies to stay afloat. For…

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ALG funding decisions deferred, but it's not all good news

Last week, arts organisations across London were stunned when the Association of London Government (ALG) announced drastic funding cuts and,…

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'Wales? Why not?'

Judith Isherwood was genuinely surprised when, during interviews with Wales and London-based media following her appointment as the inaugural Chief…

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The world according to Forkbeard Fantasy

Chris Britton is a humble sort, giving credit where credit is due. Yes, after 30 years of merging film and…

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Half Moon looks at the whole picture

After almost 30 years of working with young people, with a strong emphasis on social inclusion, Half Moon Young People's…

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How sophisticated are you?

Controversial London-based art critic, Brian Sewell, recently expressed outrage that an exhibition of works by European post-War artists group, Cobra,…

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Footing the bill

The bill regarding the licensing of public live entertainment in England and Wales, currently in the Lords committee stages, has…

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