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Career Advice

Top 3 tips for emerging directors

From the Archives: From independent theatre to the mainstage, directors offer practical advice for those starting out in their theatre…

So you want my arts job? Indie theatre director Cassandra Fumi smiles at the camera. She is fair-skinned and has wavy, shoulder-length blonde-brown hair and wears a black jumper
Career Advice

So you want my arts job: Director, Independent Theatre

If you love collaborative storytelling that helps communities form around a common goal, directing indie theatre productions may be the…

A street scene in the production of 'La bohème'. In the foreground is a man on a bicycle carrying some white balloons. There are crowds of people around him. English National Opera production.
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Opera review: La bohème, London Coliseum

Jonathan Miller's acclaimed production of Puccini’s much loved opera returns to mark the centenary of the composer's death.

Silhouette of figures on stage with orange back lighting. Touring live theatre
Features

Performance exchange – the new way of touring?

It's a 'Disaster' waiting to happen – and that's a good thing for all involved. Find out how the NZ…

Edward Gardner in a concert setting conducting an orchestra.
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Music review: Edward Gardner conducts Rachmaninoff, Royal Festival Hall, London

An impressive display of technical mastery and musical intensity.

A group of musicians are standing up with their instruments. In the centre is conductor Sir Anthonio Pappano in black, standing next to pianist Yuja Wang, in a white dress. LSO London Symphony Orchestra.
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Music review: Concert 4: Szymanowski, Chopin and Mahler, The Barbican, London

Drama aplenty in the final Season Opening Concert from the London Symphony Orchestra.

At night time a grand circular building with at least four storeys and a dome on top is lit up. The Royal Albert Hall.
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Music review: Prom 72: Mozart, Farrenc and Beethoven’s ‘Eroica’, Royal Albert Hall, London

A colourful program of historically informed performance. 

A group of dancers are seen in silhouette. There is a wall behind the covered with handprints. Giselle. Sadler's Wells Theatre.
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Ballet review: Akram Khan’s Giselle, Sadler's Wells Theatre, London

A powerful portrait of love and loss.

Woman with glasses and rust coloured shirt and auburn hair, smiling. Bec Melrose.
Features

Late bloomers: going from corporate to comedy

There are those who are 'born in a trunk' and there are those who spend time in the corporate world…

A concert scene with a conductor, Sir Antonio Pappano on the right, sans baton.
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Music review: Elgar & Holst, The Barbican, London

A spectacular Season Opener for the LSO with its new Chief Conductor.

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