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Showing all Visual Arts news in Opinions & Analysis
ArtsHub speaks with six curators on the merits of painting gallery walls to heighten audience engagement, build narrative or just make the artworks pop.
Opinions & Analysis
William Kentridge shared wisdoms of life in the studio – including embracing stupidity, bastardry and saying no – during his recent visit to Sydney for his AGNSW exhibition.
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing.
A new wave of survey exhibitions indicates renewed interest in looking back over artists' careers. Australian curators discuss this trend.
Battle of the Blockbusters: We take a look at how our blockbuster diet has changed as two diametrically opposed exhibitions both promise big numbers.
Its agenda is laudable – to give more space to Australian artists at our majors – but does it fall down when a stronger lens is put to The National?
The number crunch on artists representing Australia at the Venice Biennale shows two prominent galleries greatly dominate selection.
Are we past the gender pigeonhole? Women artists are divided as to whether the adjective is helping or hindering their careers.
Trump’s opponents see his lavish taste as evidence of despotic tendencies but perhaps like Louis XIV he will use luxury to support a national economy.
As technology improves the quality of reproduction, the old values are being newly debated.
Visual arts is useless, edgeless and homeless...and that is a good thing both for artists and for society.
The US market is booming with the highest ever level of sales but China's decline has punctured the global art market.
The British Museum owns a number of priceless pieces of Aboriginal art, and claim they’re the best possible home for Australian heritage items.
The resurgence of ceramics is being nudged over by a new interest in glass, with a burst of exhibitions and prizes.
Singapore has positioned itself as a regional hub, throwing vast amounts of money into cultural infrastructure. Is there a place for Australia its regional scope?
Modern museums often want to be global citizens but there are risks of homogenization and challenges from national agendas.
Tired of the banal cookie-cutter art dished up for public locations? The new rules break the old rules to encourage a more creative community landscape.
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