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Showing all Trends & Analysis news in Opinions & Analysis
While Australia fights to save its cultural assets after bushfires, the USA threatens to destroy cultural sites across Iran.
Opinions & Analysis
The Government was quick to dismiss the value of the arts in December, rolling it into a new super department, but overwhelmingly artists and performers have stepped up with fire relief.
Our language tells us a lot about who we are: our embrace of trends, our professional priorities and where we place value. So what did 2019 say?
Sustaining a creative career is difficult for mothers, but as Dr Jackie Bailey argues there is a growing awareness of the need to better support women with children in the creative industries.
Despite living in an age of uncertainty, Australia Council CEO, Adrian Collette is convinced that there is reason to be hopeful. His keynote address from Artstate Tamworth explains why.
Addressing the climate emergency and improving relationships with Indigenous Australians and Pacific Islanders means building people-to-people exchange, according to our new British High Commissioner.
Being an ally means being prepared to do the difficult work towards structural change.
Why Australia's space race is caught in nostalgia, when we should be asking if it’s responsible to glorify space advancement at the cost of society, and how artists are shifting that conversation.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
Trump’s opponents see his lavish taste as evidence of despotic tendencies but perhaps like Louis XIV he will use luxury to support a national economy.
President Trump is not the outcome of voters' dispassionate assessment of self-interest. The arts and humanities teach us that is not how people work.
In a world where you can be simultaneously on a suburban bus and at a concert half a world away, art needs to rethink the meaning of live.
Visual arts is useless, edgeless and homeless...and that is a good thing both for artists and for society.
The identity of novelist Elena Ferrente has been exposed, creating an international storm around the right of authors to remain anonymous.
We have reached Year Zero, a point where cultural policy and infrastructure no longer serves the interests of the arts, the artists or society.
The idea of creative industries is based on an economy that has no way to count the things that matter.
The arts may contain the answer to a failing society but only if we stop buying in to the dominant economic model.
Probably not, but the use case is changing globally. Better data is essential to keeping up with customer needs.
Singapore has positioned itself as a regional hub, throwing vast amounts of money into cultural infrastructure. Is there a place for Australia its regional scope?
The byte may destroy the book but the novel isn’t over yet.
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