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Showing all Public Policy news in Opinions & Analysis
With the Arts disappearing as a Federal Government department title, David Pledger looks around the world to see how other nations value their culture and finds some lessons for Australia.
Opinions & Analysis
With the release of new guidelines for ethics for artists at the Queensland Art Gallery and Gallery of Modern Art, Richard Moore believes this has the potential to censor artists, as much as their art.
Sustaining a creative career is difficult for mothers, but as Dr Jackie Bailey argues there is a growing awareness of the need to better support women with children in the creative industries.
Artists have helped revitalise urban spaces but in the UK real estate developments are using art as a tool of gentrification. One arts project satirised the skyrocketing prices that drive artists out of the very areas they are making more valuable.
Taking on sexual harassment means acknowledging that arts organisations inherently work with power and this should be managed, according to NAVA's Esther Anatolitis.
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
New Zealand's Prime Minister and Minister for Arts, Culture and Heritage says art should be for the many, not the few.
The Trump administration's proposal to remove US arts funding is the battle cry for another round of culture wars, familiar to the Australian and UK arts industries.
In difficult times, artists have more power than we think to influence the direction of politics and society.
President Trump is not the outcome of voters' dispassionate assessment of self-interest. The arts and humanities teach us that is not how people work.
Visual arts is useless, edgeless and homeless...and that is a good thing both for artists and for society.
UK artists and arts organisations fear they will be losers following Britain’s decision to leave the European Union.
The arts aren’t a luxury activity. They are central to life. Art is the part of us that is met, and that can't be met in the outside world.
We have reached Year Zero, a point where cultural policy and infrastructure no longer serves the interests of the arts, the artists or society.
The idea of creative industries is based on an economy that has no way to count the things that matter.
The arts may contain the answer to a failing society but only if we stop buying in to the dominant economic model.
Education’s hottest topic is STEM (Science, Technology, Engineering, Maths) while the subjects that teach us human values are undervalued.
Touring Swan Lake in China is not the kind of cultural diplomacy that will help Australia gain a foothold in Asia.
Principles of arms-length funding are being sacrificed to a 'trickle down' approach the Federal Government would not countenance in other parts of the economy.
Science has shown us the facts but art is needed to stimulate action on climate change.
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