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Showing all news in Opinions & Analysis
Why Australia's space race is caught in nostalgia, when we should be asking if it’s responsible to glorify space advancement at the cost of society, and how artists are shifting that conversation.
Opinions & Analysis
With the ageing of many senior figures in the cultural sector, Michael Reid makes a case for succession planning for galleries using his own experience as a case study.
ArtsHub speaks with six curators on the merits of painting gallery walls to heighten audience engagement, build narrative or just make the artworks pop.
Finding and losing agents, drafting, re-drafting and forgetting about his book were all part of the publishing process for Peter Papathanasiou.
By axing daily political cartoons, The New York Times won't kill off cartooning. There is a healthy practice for cartoonists in an increasingly globalised, online industry.
Globally, libraries have been adapting. Professor Stuart Kells takes a tour of the world's best and discovers why they are still vital.
In her 2018 Philip Parsons Memorial Lecture, playwright Alana Valentine speaks about the power of the collective experience and those rare moments when a work of art becomes a conduit for spontaneous community expression.
William Kentridge shared wisdoms of life in the studio – including embracing stupidity, bastardry and saying no – during his recent visit to Sydney for his AGNSW exhibition.
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
New Zealand's Prime Minister and Minister for Arts, Culture and Heritage says art should be for the many, not the few.
Artists do their best work when they feel confident to play, when they feel they are not being judged, when they are spoken to with respect.
The leadership of any organisation in sport, the arts or the corporate world must have a clear understanding of its values and standards, and be able to react to a breach straight away.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at.
A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing.
Independent artists need independent producers; they also need to reconsider some of the negative stereotypes they have about the producer's role.
This week the first ever awards to celebrate the rural touring sector in the UK will take place in Nottingham.
A new wave of survey exhibitions indicates renewed interest in looking back over artists' careers. Australian curators discuss this trend.
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