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Showing all news in Opinions & Analysis
William Kentridge shared wisdoms of life in the studio – including embracing stupidity, bastardry and saying no – during his recent visit to Sydney for his AGNSW exhibition.
Opinions & Analysis
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
New Zealand's Prime Minister and Minister for Arts, Culture and Heritage says art should be for the many, not the few.
Artists do their best work when they feel confident to play, when they feel they are not being judged, when they are spoken to with respect.
The leadership of any organisation in sport, the arts or the corporate world must have a clear understanding of its values and standards, and be able to react to a breach straight away.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at.
A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing.
Independent artists need independent producers; they also need to reconsider some of the negative stereotypes they have about the producer's role.
This week the first ever awards to celebrate the rural touring sector in the UK will take place in Nottingham.
A new wave of survey exhibitions indicates renewed interest in looking back over artists' careers. Australian curators discuss this trend.
Battle of the Blockbusters: We take a look at how our blockbuster diet has changed as two diametrically opposed exhibitions both promise big numbers.
Its agenda is laudable – to give more space to Australian artists at our majors – but does it fall down when a stronger lens is put to The National?
The number crunch on artists representing Australia at the Venice Biennale shows two prominent galleries greatly dominate selection.
Are we past the gender pigeonhole? Women artists are divided as to whether the adjective is helping or hindering their careers.
Once more unto the breeches: a feminist mounts a defence of romance fiction, renovated for the 21st century.
The assumptions that makes amateur theatre an old joke are really a power play that creates a fall guy for culturally privileged professionals.
We need to rethink our physical spaces to create meaningful live experiences for the constantly connected generation.
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