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Showing all Film news in Features
After closing for a major make-over (and pandemic postponement) the Australian Centre for the Moving Image is re-opening with a fresh approach to its collection and exhibition spaces.
Our online conference will make sense of 2020 and think through the arts as an essential part of the ‘new normal’. With guests from across Australia we look at funding, culturally safe spaces, and digital as a way to expand access.
From a novel published in 1989 to a global hit series and now a feature film, Kerry Greenwood's flapper detective has inspired fan
Fame, fortune and your pick of the best projects – or over-exposure, exploitation and unhappiness? What happens when you win an Academy Award?
Nothing comes easy, especially with disabilities art. Three international leaders talk about the burdens and wins of activism, visibility, failure and collaboration as pathways to greater inclusion.
LGBTIQ communities fight to be seen and to be heard. Can the international film community help?
For any artist, the sting of criticism is inevitable. Here’s how to distinguish when it’s useful, how to handle it, and when to ignore it.
Bookmakers beat critics when it comes to making Oscars predictions. It's nine years since they have been wrong.
CGI is close to being indistinguishable from the real thing. Could actors find themselves auditioning against a dead or imaginary competitor?
Working in multiple roles – for instance as a writer/actor/director/producer – is increasingly common but the multiple satisfactions come with equivalent challenges.
The Republican nominee joins a long line of public figures whose big personalities make them gift fodder for satirists.
Publishers and film sets are ramping up security as it becomes harder to avoid spoilers.
How many of 2015's top films did you see? How many have you scheduled for viewing over the summer?
Were any arts funding bodies or philanthropists brave enough to implement these suggestions from the US they might come close to getting what they actually want.
MIFF joins galleries, museums and installation spaces as a venue for immersive film that breaches traditional art form boundaries.
New research and a new lobby group in the screen sector rewrites the playbook on the approach to piracy.
Thrifty veteran filmmaker Paul Cox says he doesn't make low budget films. He is simply responsible and happy to undermine a greedy system.
Appropriate museum display of Asian art requires an understanding of Eastern philosophy.
You want to sell your script? Leave it to your robot minions.
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