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In our latest podcast we talk with Associate Professor Rick Chew about the evolution of arts education and how performing in an empty theatre got him through lockdown.
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share their experiences around creating new outdoors performance spaces.
Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld of art and technology.
Keeping and improving some of our new digital and hybrid work practices simply makes good strategic and financial sense, says Kate Larsen.
Three Australian artists explain how they have adapted their practices since arriving in the UK in the midst of the pandemic.
A new report by Res Artis looks at the impact of cancelled artist residencies globally, with a flood of artists leaving the sector due to dwindling career opportunities and lack of financial support.
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about different phases of their practice?
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K. Rowling’s transphobia on the Harry Potter brand.
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects on a seminal moment in First Nations art history and a new exhibition he has curated to celebrate the landmark event.
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust arts industry that is ready for anything and anyone, argues Fleur Kilpatrick.
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts organisations engage with this potentially huge audience segment.
As galleries moved online in the pandemic some found tools that would bring them to new audiences while others missed the human connection. Jane O’Sullivan looked at how COVID-19 changed galleries forever.
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged determination means the shows can go on.
After closing for a major make-over (and pandemic postponement) the Australian Centre for the Moving Image is re-opening with a fresh approach to its collection and exhibition spaces.
Almost a year into the pandemic's impact on the arts, now is the time to look beyond emergency support programs to ask tough questions about working conditions and social recognition of artists.
The leap of faith from a shorter work to a full-length book comes with many potential pitfalls including procrastination and self doubt. A new book has tips on how to make that jump with confidence.
Linda Nochlin’s 1971 essay was a scathing and detailed analysis of how and why white bourgeois men were 'great' while women and people of colour were not.
Thinking of starting a small business venture in the midst of a world crisis? ArtsHub speaks with the founders of Aniko Press and Debut Books, who did just that.
Even if you've not opened a book in ages, remember that we are in an age of hyper-literacy and our days are saturated with words.
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