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Showing all news in Opinions & Analysis
Writer and Communications Professional Lliane Clarke shares her ten tips for using the new age medium to promote your arts event.
Opinions & Analysis
The open access model ensures that the Fringe spirit is truly represented.
Marie Force used Facebook to help her become a best-selling author. How can you do the same?
Artists are neither possessed nor victims of mental illness, but creativity can channel their demons.
Is a theatre company smart or cowardly to ban a critic from its show?
With the rise of ebooks, a compelling thumbnail image is essential and a new competitive design marketplace has emerged.
Apple’s defeat in last week’s anti-trust suit proves there’s something rotten at its core, but the implications are broad.
Creative people are more prone to depression but positive thinking may be just what they don't need.
The practice of ranking performances on a five star rating system is unproductive and inhibits trust in reviewers.
When you post creative content online you maybe be giving away your copyright or at least any real control over it.
There are not enough jobs for designers and that's only part of the problem for those wanting to make it in the industry.
A performance artist challenges a grant-maker’s decision and wins.
Think people won’t pay for creative content because so much is available online for free? That’s not what the numbers show.
As online petition site Change.org hits 1 million users, we take a look at the way that the arts are petitioning for change.
Justin Bieber upset many people with a flippant comment at the Anne Frank House but he was much less offensive than the response of his ignorant fans.
Comedian and some time reviewer Xavier Toby gets a taste of his own medicine when his comedy shows are reviewed by others.
Some Hollywood companies use geospatial modelling to predict ticket sales but there are simpler techniques for calculating your likely audience.
True travel writing needs fear and insecurity not just tourism tips.
Why you should shed the starving artist mentality and turn your creativity into a start-up like these successful creative entrepreneurs.
Economists should understand the arts as the very centre of a production system that derives benefit from the things the arts do.
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