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Showing all news in Reviews
Phoebe Waller-Bridge’s one-woman show leaves you wanting more – so luckily there’s two seasons of the TV series too.
Eleanor Gordon-Smith is a philosopher with the ability to convey complex ideas with exceptional lucidity.
Novels of this quality are a rare and pleasurable event.
A refreshing novel for its focus on a middle-aged female protagonist and her ongoing hustle.
Debra Adelaide’s collected essays offer forthright insight on living alongside books.
Reed-Gilbert’s memoir is a touching if somewhat disjointed ode to the fearless woman who raised her against all odds.
Soaking in high production values, pop culture winks and easy nihilism, Joker is all tricks and no fun.
A smutty and delightful performance that makes other cabarets look tame.
A succinct, exposing look at a community in ethical crisis – with shattering parallels to our own.
A spectacular work of dance imprisoned in a plodding narrative.
Morsi’s poetic stories of life in Palestine pull at the heartstrings.
Australian writer Lucy Treloar creates a credible dystopia in her second novel, Wolfe Island.
This ‘CineConcert’ brings together superb filmmaking, a brilliant score, and the orchestra displaying their versatility.
Two women in a bind discover that friendship adds piquancy to their lives in this fast-paced, comedic two-hander.
It may be Bach heard through different languages, instruments and times but the glory still resonates.
Dublin Fringe continues with Derek Byrne’s debut play based on a real-life encounter at a cruising spot, and a madcap, high-energy performance from Lords of Strut.
Cleeves certainly knows how to construct a captivating, intricate plot with lots of unexpected turns.
A remarkable debut collection of short stories elegantly detailing the lives of Lebanese migrant families in western Sydney.
A one-man show about loneliness, longing, and social media-enhanced isolation, and a dance theatre piece exploring call-out culture through a comic book lens.
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