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Showing all news in Reviews
Inez Baranay presents in elegant prose a richly laden smorgasbord of concepts and ideas.
This exhibition questions how we use collective cliches to construct narratives, but is it the best route to truth?
Luke Williams’s travel memoir takes us on his personal journey through sex work, drugs, and depression in Southeast Asia.
Phoebe Waller-Bridge’s one-woman show leaves you wanting more – so luckily there’s two seasons of the TV series too.
Eleanor Gordon-Smith is a philosopher with the ability to convey complex ideas with exceptional lucidity.
Novels of this quality are a rare and pleasurable event.
A refreshing novel for its focus on a middle-aged female protagonist and her ongoing hustle.
Debra Adelaide’s collected essays offer forthright insight on living alongside books.
Reed-Gilbert’s memoir is a touching if somewhat disjointed ode to the fearless woman who raised her against all odds.
Soaking in high production values, pop culture winks and easy nihilism, Joker is all tricks and no fun.
A smutty and delightful performance that makes other cabarets look tame.
A succinct, exposing look at a community in ethical crisis – with shattering parallels to our own.
A spectacular work of dance imprisoned in a plodding narrative.
Morsi’s poetic stories of life in Palestine pull at the heartstrings.
Australian writer Lucy Treloar creates a credible dystopia in her second novel, Wolfe Island.
This ‘CineConcert’ brings together superb filmmaking, a brilliant score, and the orchestra displaying their versatility.
Two women in a bind discover that friendship adds piquancy to their lives in this fast-paced, comedic two-hander.
It may be Bach heard through different languages, instruments and times but the glory still resonates.
Dublin Fringe continues with Derek Byrne’s debut play based on a real-life encounter at a cruising spot, and a madcap, high-energy performance from Lords of Strut.
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