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Showing all news in Reviews
Mere minutes after the start of Tom Stoppard and Andre Previn’s Every Good Boy Deserves Favour at the National Theatre, it seems incredible that so many directors waste their time staging productions without one.
Exotic in its discipline, this show is an extended and unusual object animation using the brushstrokes of Beijing opera.
This is punk theatre at its best. Marseille-based marionette circus Buchinger's Boot is a glorious, gluttonous junkyard of scavenged paraphernalia and butchered remains.
Baz Luhrmann’s new blockbuster is an OK sort of film. It’s no masterpiece and doesn’t deserve to walk off with a haul of Academy Awards in its swag bag next February.
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