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Showing all news in Reviews
Korngold’s score, expertly conducted by Ingo Metzmacher, is an intoxicating web of mournful longing and nostalgia: a dead city made of sound.
Mere minutes after the start of Tom Stoppard and Andre Previn’s Every Good Boy Deserves Favour at the National Theatre, it seems incredible that so many directors waste their time staging productions without one.
A Midsummer Night’s Dream is littered with arcane references to obscure concepts and ideas with which a modern audience may have difficulty. Gregory Doran’s current RSC production at London’s Novello Theatre does much - perhaps rather too much - to help.
Exotic in its discipline, this show is an extended and unusual object animation using the brushstrokes of Beijing opera.
This is punk theatre at its best. Marseille-based marionette circus Buchinger's Boot is a glorious, gluttonous junkyard of scavenged paraphernalia and butchered remains.
Baz Luhrmann’s new blockbuster is an OK sort of film. It’s no masterpiece and doesn’t deserve to walk off with a haul of Academy Awards in its swag bag next February.
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