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Showing all news in Features
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Photographers often take thousands of images in a shoot. How do you find the single one to become your show's poster child?
When developing countries need clean water, can we justify arts philanthropy? Philosopher Peter Singer, artistic director Robyn Archer and arts manager Pippa Dickson argue the toss.
Were any arts funding bodies or philanthropists brave enough to implement these suggestions from the US they might come close to getting what they actually want.
MIFF joins galleries, museums and installation spaces as a venue for immersive film that breaches traditional art form boundaries.
The artists as individual, innovator or iconoclast are Western archetype unhelpful in working with Asian art.
Thrifty veteran filmmaker Paul Cox says he doesn't make low budget films. He is simply responsible and happy to undermine a greedy system.
Appropriate museum display of Asian art requires an understanding of Eastern philosophy.
Lisa Slade’s take on the Wunderkammer compounds the adage that everything old is new again, stamping a fresh brand on this 25-year old event that is based in partnerships.
You want to sell your script? Leave it to your robot minions.
Countless arts projects in Australia-Asia arts projects falter over different understanding of time.
Photographer Darrin Zammit-Lupi is bringing his politically charged work with asylum seekers to the Ballarat Foto Biennale.
Successful leaders of major performing arts centres in Australia, Singapore, South Korea and NZ juggle financial, political and artistic challenges.
Fascination with forensics is spawning a genre of death art, confronting mortality including some of the most gruesome aspects of crime scene investigation (CSI).
Our love affair with the planets has influenced many composers, of whom Holst is just one among many.
Emotional shocks and grief can blow your life apart but they can also be the very thing that connects you to what it is to be human.
A dystopian view of the future locks art and culture into a virtual world where everyone lives a Kardashian-style online augmented existence.
Artists have extraordinary power to change the way people think but it takes more than good intentions.
Online sharing has created new rules of exchange for artists who must find ways of converting followers who like their work into paying customers.
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