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This is more than a brand blockbuster with the draw of big bling; it's a story about the emancipation of women, of history, of people - a mapping of the 20th century zeitgeist.
APY Art Collective opens a gallery in the heart of Sydney as part of a vision for best representation and best practice.
From visioning to productivity, you need a range of skills to run a successful small arts business.
In the first such case to head to the Federal Court, the ACCC targets misleading products on the tourist market manufactured by Indonesian company Birubi Art.
Rhana Devenport has a vision, but the Auckland Art Gallery's budget is insufficient to deliver it.
A deeply satisfying all-Stravinsky CD of live recordings released by Decca in January
Good poetry plucks at the heartstrings; it speaks to the emotions as well as to the intellect.
A soft touch lands a cohesive exhibition with a strong message at the hands of Mami Kataoka.
Two Sisters is literary journalism at its best.
An erudite exhibition takes a look at the work of contemporary Australian Muslim artists.
Sculpture by the Sea, Cottesloe has ramped up public access with tailored school tours, Auslan- interpreted, Tactile Tours and Beach Access Day for sculpture lovers with limited mobility.
Deadly Woman Blues should not be forgotten. It remains a useful and instructive example, albeit unintentionally, of the authorial burdens and responsibilities inherent in publishing other people’s stories.
A new application process for the Venice Biennale results in a sound outcome for Australia's representative at this major art world event.
How divided is our world? ArtsHub takes a look at the Adelaide Biennial of Australian Art and asks whether the model matches the thesis.
An author, a literary agent and a copyright expert discuss ways authors can navigate the digital landscape to make money from their art.
ArtsHub visited New Zealand’s newest sculpture park, Sculptureum, which combines popular festival bravado with a passion for collecting.
The 21st Biennale of Sydney is not about hierarchies of artists and venues, rather it is about harmony in the gaps across time and space.
For decades Savall’s artistic focus has explored European music from the Middle Ages to the Baroque, cultures that were never stagnant as history may sometimes encourage us to believe.
In this collaboration between Essential Theatre and Three Birds Theatre, Ophelia is no longer just that unfortunate girl who had a thing for flowers.
Melbourne’s newest gallery offers a bridge between a curious collector, an engaged public, and a new generation of artists.
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