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Showing all news
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share their experiences around creating new outdoors performance spaces.
Award-winning poet Melinda Smith offers some tips and tricks for applying for the funding that might just make your project a success.
Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld of art and technology.
An artistic inquiry into disaster preparedness is in its last days and David Pledger thinks it has much to tell us about how emergency services can benefit from the involvement of artists.
Opinions & Analysis
Comedian Chris Ryan was as surprised as anyone to find herself nominated for best newcomer at this year’s Melbourne International Comedy Festival – then again, she’s been doing comedy for 9 years and life for 48.
Daniel Boud has photographed celebrities from Flume to Cate Blanchett and Ai Wei Wei, and has worked with most major Australian arts companies. We caught up with him on making it as a Freelance Arts Photographer.
Keeping and improving some of our new digital and hybrid work practices simply makes good strategic and financial sense, says Kate Larsen.
Australian-based British writer Anna Downes’ debut novel is an intense domestic thriller.
Launching the theme of the 23rd Biennale of Sydney, the message was clear: this is an exhibition about sustainability, continuity and collaboration – where agency replaces ego.
Three Australian artists explain how they have adapted their practices since arriving in the UK in the midst of the pandemic.
A new report by Res Artis looks at the impact of cancelled artist residencies globally, with a flood of artists leaving the sector due to dwindling career opportunities and lack of financial support.
Janice Florence from Arts Access Victoria and Emily Sexton with the Arts House team explain how and why they spent 18 months developing an expansive Disability and Inclusion Action Plan for Arts House.
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
The classical music sector has long been dominated by men, a situation only amplified for classical saxophonists. The sexism in the industry needs to change, says performer, researcher and educator Jazmin Ealden.
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about different phases of their practice?
Thanks to a new partnership ArtsHub is seeking new writers, with a special focus on writers of colour.
After 49 weeks, The Boy Who Lived returns to the Melbourne stage; the first international production of the sequel to return after COVID 19. But does the story survive in 2021?
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K. Rowling’s transphobia on the Harry Potter brand.
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects on a seminal moment in First Nations art history and a new exhibition he has curated to celebrate the landmark event.
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19, and there will be a greater place for craft businesses.
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