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Within a matter of months, two major research studies have been released on cultural participation. How different are they, and is Australia ahead of the States?
In its second edition, and with a $17.54M boost from BHP, we take a look at Tarnanthi and its legacy role.
The fundamental lesson novelist Sam Carmody learned about writing is that a significant part of the process happens beyond you, or beneath your skin.
The arts can be difficult to navigate at the best of times, but what if your particular challenges are invisible? Here's how the sector can pay attention, remove the stigma and better support individuals.
If #MeToo has taught us anything, it’s that telling better women’s stories hasn’t really changed the lived experience of women, because it hasn’t really changed men.
Opinions & Analysis
A regional gallery director’s curatorial indulgence opens the door on a national debate, and catches the eye of the Classification Board.
Does the exhibition live up to the legend? We walk through QAGOMA’s Richter show – the largest in the southern hemisphere.
Co-founder of the Forest Fringe, Andy Field, warns artists not to mistake exhaustion for success.
Like a message in a bottle, a colonial rotunda above The Rocks in Sydney is used in tandem with Mozart's music to transport viewers and evoke a journey across the high seas.
Young people’s anxiety levels decrease and their resilience increases when they engage with theatre, new research shows.
Pung successfully embarks on an insightful interrogation of the themes that pervade Marsden's work.
If the well-used adage that a picture speaks a thousand words is true, what is the current focus on Indigenous Photography saying?
Discover why Richter is touted as one of the world’s greatest living artists. At 85, GOMA presents his first major survey in Australia.
A moving and respectful account of a problematic work.
After three short years in the role, Gerard Vaughan announced today that he will be stepping down as Director in 2018.
The reality of a permanent contemporary gallery for Adelaide is a step closer this week as its $1.9M Stage One rolls into action with the search for an architect.
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society.
A survey long overdue. Sitting between sculpture and painting, Mais’ constructions appeal to minimalists and mathematicians alike with their very personal – and organic – approach to abstraction.
This extensive exhibition is not only a tribute to the importance that the House of Dior has had on international fashion but a reflection of its value as art.
With the recent release of two feature films about Australian artists, we take a look at the hidden agendas and the broader context.
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