Manchester International Festival
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This exhibition communicates a sense of otherness that is very ugly and brutal, but sadly the experience of many Australian Muslim artists.
We can't ever go back, but some journeys require walking the same path again.
Museum Hack founder Nick Gray, turned the "museum tour" on its head at the Creative State Summit, offering new ways to attract audiences.
Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is inviting submissions to join Carme Pinós’ vision.
The NSW Regional Cultural Fund has committed $8.592 million to Bundanon Trust, and the future development of Arthur Boyd’s Riversdale property.
ArtsHub speaks to New York-based photographer and installation artist Spencer Tunick about global activism and what it's like to direct a crowd of naked people for art.
Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context?
The people-pleasing dot installations of Japanese artists Yayoi Yusama are sure to drive crowds to Canberra, thanks to a major new acquisition.
ArtsHub sat down with Brook Andrew on the eve of his Biennale appointment, and discovered what he meant when he described creating an exhibition that would sit at edges and dismantle black and white stereotypes.
ArtsHub speaks with Neal Stimler, The Met’s Public Engagement guru who is changing the face of the Auckland Art Gallery, one byte at a time.
Artists do their best work when they feel confident to play, when they feel they are not being judged, when they are spoken to with respect.
Opinions & Analysis
Five important points to consider when establishing a career in the arts.
British textile artist Jess de Wahls will travel to the Blue Mountains in June to present her exhibition Big Swinging Ovaries.
The internationally renowned fantasy novelist reveals the magic behind his writing, and why it’s good to talk to your characters.
Sponsorships are not philanthropic donations – they are business investments from which companies want a return. We ask major sponsors what's in the deal for them.
What is the responsibility of theatre-makers towards live shows that either were created or are set in the past – especially when they depict events which are problematic by contemporary standards?
This exhibition, currently showing at the Ian Potter Gallery, is testament to an artist that continues to resist the ready categorisation of his work.
Remember, an artist's statement is a practical and professional tool. It doesn’t have to be a complicated academic paper. Here are 7 tips to getting it right.
With artists owed $200,000 following the collapse of independent event management company, JumpClimb, Fringe World is taking action to assist.
A multi-sensory living installation displaying endangered Indigenous Australian grassland species will interrogate architecture’s responsibility to environmental rehabilitation.
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