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A portrait of him won the Archibald Prize in 1966, a Melbourne hotel was named after him, and he even wrote a manifesto that shaped Australian art history. Blackman’s legacy is great.
The strong emotional connections and resonances of literature can happen at any time.
A 30 year acting career sounds glamorous, until you realise that like many in the industry, Bruce Hopkins has supplemented his income by doing everything from MC work to house painting.
Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms?
Craft practices are being looked to as something of an antidote to the stresses and pressures of modern living.
From 3D printed guns to fashion accessories and kids playing blocks, HELLO WORLD is an exhibition that looks at the impact of code on contemporary design.
The annual Australian invasion of Edinburgh is about to begin. What attracts them in such numbers? And with over 130 Australian shows to choose from, which should you see?
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
Devenport brings international perspective to Adelaide, and is the first female director in the gallery's history.
Hannaford excels as Carole King. She’s energised, mournful, ecstatic, introverted, forgiving and gutsy.
Elbow Room's Prehistoric is a stand-out piece of theatre.
MTC’s revival brings a robust render to the narrative of unavoidable corruption in a money-made society.
Two esteemed Australian musician colleagues collaborate in a unique project.
12 actors offer advice for making the best impression at an audition and how to avoid putting yourself through the emotional wringer.
In a world premiere, the exhibition ‘Mandela My Life’ will bring Mandela's rich legacy to life through rare objects and archives.
Victorian Opera has gone where other Australian companies fear to tread, and emerged all the better for it.
Daniel Buren uses steroid-sized children's building blocks to speak about our relationship with the world.
A major survey exhibition tracks a 40 year career, and looks at how an artist has changed the perception of bark painting nationally and internationally.
This exhibition communicates a sense of otherness that is very ugly and brutal, but sadly the experience of many Australian Muslim artists.
We can't ever go back, but some journeys require walking the same path again.
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