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Showing all Trends & Analysis news
Over-sensitive political correctness is damaging freedom of expression, the Festival of Dangerous Ideas was told.
Many artists find a baby a hindrance to creative life but child-friendly residency programs help parents continue their creative careers.
The death of the man who once shocked the world with the notorious Oz magazine marks an end in the transformative generation of the 1960s.
Digital media now dictates a child's initial experience of literature, art and - most worryingly - often creative discovery.
Creative industries have bucked the trend in Britain’s depressed economy and the Government claims the success will survive Brexit. Artists are less convinced.
'Anxiety is the handmaiden of creativity', wrote TS Eliot. But modern research shows the relationship is much more complicated.
A secretive operation saw seven priceless works by British artists removed from galleries and museums around the UK.
Do you suffer from "too long; didn’t read" syndrome? Here are some expert tips on how best to filter, and when not to swipe.
A UK artist has created a wearable artwork that changes colour according to pollution levels.
We take a look at trending language to help you leverage the world of cultural entrepreneurship.
Dripping paint on the walls of the MCA this week is a symptom of the profile of light festivals. But there's more to light art than projections.
Bits & Blogs
Blogging is a business anyone can get into but only a few can make pay.
We have reached Year Zero, a point where cultural policy and infrastructure no longer serves the interests of the arts, the artists or society.
Opinions & Analysis
Lisa Havilah explains why cultural institutions should be radical and participatory, and shares her secrets to success.
Canberra’s Segue Festival aims to strengthen cultural ties between Europe and Australia, providing benefits for artists and audiences alike.
Why cultural entrepreneurship works in our times of funding cuts, and tips from the experts on how to navigate new pathways to innovative partnerships.
The idea of creative industries is based on an economy that has no way to count the things that matter.
The keys to successful creative art are also the keys to a good life.
The arts may contain the answer to a failing society but only if we stop buying in to the dominant economic model.
Probably not, but the use case is changing globally. Better data is essential to keeping up with customer needs.
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