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Showing all Audience Development news
Hyperlocal, decolonial, diasporic, idiosyncratic – how Australia’s international arts programming is changing.
Australian music is performing remarkably overseas, according to a new Australia Council report.
Artshub takes a look at how the rise of cultural tourism is trickling into regional Australia and towards bespoke individual offerings, with the revised thinking as "creative tourism".
Violin virtuoso Ray Chen discusses how social media provides audiences with wider access to classical music, and shares his advice for budding artists.
Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context?
ArtsHub speaks with Neal Stimler, The Met’s Public Engagement guru who is changing the face of the Auckland Art Gallery, one byte at a time.
Don’t know where to start when it comes to social media? Here's some advice from the experts.
Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West has shaped new modes for cultural engagement and defined communities.
‘We don’t feel disadvantaged being in the regions. In fact, we see this as an opportunity,' says former Four Winds Chair Sheena Boughen.
Three creative entrepreneurs – the founders of Parlour Gigs, Underground Cinema and Envato – share how they got started; how they got funding, and how you stay on track.
When it comes to working with marginalised communities, good intentions mean little without sound ethics.
In this age of digital marketing and social media it can sometimes feel as if you’ve stepped into a minefield when it comes to event marketing.
Research has shown that over 60% of recent visitors attended cultural organisations as children, findings which have significant ramifications for the sector in the future.
As thrilling as they are for audiences, Australia’s musical theatre scene is dominated by productions honed on the West End and Broadway.
In order to say yes to the good stuff, you’ve got to learn to say no.
We need to rethink our physical spaces to create meaningful live experiences for the constantly connected generation.
Opinions & Analysis
The British Museum has uncovered some tricks to getting visitors to use their audio guide.
Over-sensitive political correctness is damaging freedom of expression, the Festival of Dangerous Ideas was told.
Publishers and film sets are ramping up security as it becomes harder to avoid spoilers.
Violinist William Hennessy is inspired by the French pianist Alfred Cortot.
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