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Showing all Visual Arts news
2018 was big: big blockbusters, big lobbying, big cock-ups and big shifts at the top end for the visual arts.
The Australia Council has revealed details of Angelica Mesiti’s project ASSEMBLY, to be presented at the 2019 Venice Biennale.
Three exhibitions in London: Oceania, the new Islamic display at the British Museum, and the Turner Prize.
No new building, more digital content, a Mitzevich collection rehang and a year of blockbusters; all part of the vision to turn the National Gallery around for 21st century engagement.
The British street artist has joined a tradition of visual artists, including Marcel Duchamp and Francis Picabia, whose work critiques the very art world of which they were part.
It's easy to talk about breaking glass ceilings and taking risks, but the National Gallery's Assistant Director Alison Wright shows us how it's done.
From a new art market platform to a commission to mark the national apology to Child Sexual Abuse, ArtsHub recaps the week's arts news.
William Kentridge shared wisdoms of life in the studio – including embracing stupidity, bastardry and saying no – during his recent visit to Sydney for his AGNSW exhibition.
Opinions & Analysis
A new program led by the British Council pairs Australian and British arts colleagues from minority and First Nations backgrounds to affect future decision making.
Curated by Kentridge himself, this is a great celebration of creative engagement and its capacity to dovetail into every aspect of life.
Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement – protested last night as lights turned on.
Creative ageing is a two-fold problem: the crisis of our artists ageing into poverty, and the lack of sustainability in training and programs as a broader public ages creatively.
Do you freeze at the thought of doing an interview with the media? Here are a few tips on how to conduct yourself like a pro when a microphone is shoved up your nostril.
Artshub takes a look at how the rise of cultural tourism is trickling into regional Australia and towards bespoke individual offerings, with the revised thinking as "creative tourism".
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
A recent panel discussion at Sydney Contemporary unpacked the ideas around how the performed body can either uphold or defy systems of oppression and identity.
Sydney Contemporary art fair was the setting for a long overdue debate on ‘gender discounting’ within the contemporary art market.
An Australian art business takes on the toughest art market in the world – and it’s making waves.
The National Gallery of Australia had one of the largest acquisition budgets in the world in the 70s. A new exhibition forces us to question the value of the arts today.
From a kitty-inspired kids project to talks that tap into a global zeitgeist, site-responsive installations and videos to rival box office hits, Sydney Contemporary is the full buffet experience.
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