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Showing all Visual Arts news
ArtsHub sat down with Brook Andrew on the eve of his Biennale appointment, and discovered what he meant when he described creating an exhibition that would sit at edges and dismantle black and white stereotypes.
ArtsHub speaks with Neal Stimler, The Met’s Public Engagement guru who is changing the face of the Auckland Art Gallery, one byte at a time.
British textile artist Jess de Wahls will travel to the Blue Mountains in June to present her exhibition Big Swinging Ovaries.
This exhibition, currently showing at the Ian Potter Gallery, is testament to an artist that continues to resist the ready categorisation of his work.
Remember, an artist's statement is a practical and professional tool. It doesn’t have to be a complicated academic paper. Here are 7 tips to getting it right.
A multi-sensory living installation displaying endangered Indigenous Australian grassland species will interrogate architecture’s responsibility to environmental rehabilitation.
After a prolonged battle with cancer, photographer Polixeni Papapetrou has died at 57.
For any artist, the sting of criticism is inevitable. Here’s how to distinguish when it’s useful, how to handle it, and when to ignore it.
The art world is embracing blockchain technology but what is this global trend? And why is this Australian innovation leading the charge into Asia?
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
Opinions & Analysis
The son of a Hunter Valley farmer will lead Australia's top visual arts institution into its future. Who is Nick Mitzevich and how healthy is the NGA, which he now steers?
Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West has shaped new modes for cultural engagement and defined communities.
Maria Balshaw is no stranger to strong talk; in a conversation with ArtsHub she tackles the topics of gender equity, technology, and youth as pathways to the museum sector's future.
This is more than a brand blockbuster with the draw of big bling; it's a story about the emancipation of women, of history, of people - a mapping of the 20th century zeitgeist.
APY Art Collective opens a gallery in the heart of Sydney as part of a vision for best representation and best practice.
In the first such case to head to the Federal Court, the ACCC targets misleading products on the tourist market manufactured by Indonesian company Birubi Art.
Rhana Devenport has a vision, but the Auckland Art Gallery's budget is insufficient to deliver it.
A soft touch lands a cohesive exhibition with a strong message at the hands of Mami Kataoka.
An erudite exhibition takes a look at the work of contemporary Australian Muslim artists.
Sculpture by the Sea, Cottesloe has ramped up public access with tailored school tours, Auslan- interpreted, Tactile Tours and Beach Access Day for sculpture lovers with limited mobility.
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