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Showing all Performing Arts news in Reviews
A deliciously camp version of the Noël Coward play, direct to Australian screens from the London stage.
Andy Manley’s nearly wordless performance captivates young audiences, making the most of their powerful imaginations.
This contemporary take on 16th-century English history marries witty writing with 90s girl pop.
Inez Baranay presents in elegant prose a richly laden smorgasbord of concepts and ideas.
Phoebe Waller-Bridge’s one-woman show leaves you wanting more – so luckily there’s two seasons of the TV series too.
A smutty and delightful performance that makes other cabarets look tame.
A spectacular work of dance imprisoned in a plodding narrative.
This ‘CineConcert’ brings together superb filmmaking, a brilliant score, and the orchestra displaying their versatility.
Two women in a bind discover that friendship adds piquancy to their lives in this fast-paced, comedic two-hander.
It may be Bach heard through different languages, instruments and times but the glory still resonates.
Dublin Fringe continues with Derek Byrne’s debut play based on a real-life encounter at a cruising spot, and a madcap, high-energy performance from Lords of Strut.
A one-man show about loneliness, longing, and social media-enhanced isolation, and a dance theatre piece exploring call-out culture through a comic book lens.
SSO’s concert performance of Britten’s opera brought out the best of the best – so where was the audience?
Opera Australia has premiered its first new work in nearly a decade, and it’s quintessentially Australian, both in subject and tone, but does it capture the spirit of artist Brett Whiteley?
It’s easy to let the trajectory of the aural-optical assault wash over you, but blink and you’ll miss it all.
Hannaford excels as Carole King. She’s energised, mournful, ecstatic, introverted, forgiving and gutsy.
Elbow Room's Prehistoric is a stand-out piece of theatre.
MTC’s revival brings a robust render to the narrative of unavoidable corruption in a money-made society.
Two esteemed Australian musician colleagues collaborate in a unique project.
Victorian Opera has gone where other Australian companies fear to tread, and emerged all the better for it.
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