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Showing all Performing Arts news in Features
In this extract from the latest Platform Paper, Polyglot Artistic Director/co-CEO Sue Giles reflects on the ways that listening to and working with young people might help adults shift their thinking.
‘We don’t feel disadvantaged being in the regions. In fact, we see this as an opportunity,' says former Four Winds Chair Sheena Boughen.
To change or keep as is? A director, a playwright, a live artist and a choreographer reflect on revisiting and remaking existing works.
Healthier work habits are needed in the theatre so that actors can leave roles behind them and avoid emotional hangovers once they're offstage.
Where do the boundaries lie between exploring every possibility an acting role offers and still behaving appropriately, with respect to other performers?
What is intrapreneurship and how is it affecting the future of work? A panel of experts explores how organisations can change themselves from the inside out.
When it comes to working with marginalised communities, good intentions mean little without sound ethics.
Is there something in the nature of the performing arts industry which creates conditions conducive to exploitation?
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society.
Sometimes the music surrounding death tells us as much about the mourners as it does about the dead.
The core values hip hop include social justice, self-worth and community. Consequently it’s increasingly being used as a therapeutic tool with young people.
150 years after Ira Aldridge’s death, the need for a colour-blind stage is as vital as ever.
A pervasive ideology has encouraged us to see individuals, not a society; to think of competition as natural and emphasise growth at all costs. What damage has this done to creativity?
Can mathematics help us measure what’s sublime or ineffable about a piece of music?
As thrilling as they are for audiences, Australia’s musical theatre scene is dominated by productions honed on the West End and Broadway.
Creativity provides a space where – whether through a picture, play, song, or simply scribbles on a piece of paper – we can start making sense of traumatic events.
Artists aren’t the problem when it comes to self-care; it’s the culture we work in which damages people. It’s time to change that.
Companies large and small are benefiting from bequest programs, but asking supporters to consider their mortality isn’t always an easy conversation to have.
Sources of strength from Lady Gaga, JK Rowling, Georgia O'Keefe and many others.
From the slums of Venezuela to the Inuit community in Greenland, the El Sistema music program is breaking cycles of poverty and despair.
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