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Showing all Museums news
From 3D printed guns to fashion accessories and kids playing blocks, HELLO WORLD is an exhibition that looks at the impact of code on contemporary design.
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
Devenport brings international perspective to Adelaide, and is the first female director in the gallery's history.
In a world premiere, the exhibition ‘Mandela My Life’ will bring Mandela's rich legacy to life through rare objects and archives.
A major survey exhibition tracks a 40 year career, and looks at how an artist has changed the perception of bark painting nationally and internationally.
Museum Hack founder Nick Gray, turned the "museum tour" on its head at the Creative State Summit, offering new ways to attract audiences.
Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is inviting submissions to join Carme Pinós’ vision.
The NSW Regional Cultural Fund has committed $8.592 million to Bundanon Trust, and the future development of Arthur Boyd’s Riversdale property.
Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context?
ArtsHub speaks with Neal Stimler, The Met’s Public Engagement guru who is changing the face of the Auckland Art Gallery, one byte at a time.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
Opinions & Analysis
Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West has shaped new modes for cultural engagement and defined communities.
Maria Balshaw is no stranger to strong talk; in a conversation with ArtsHub she tackles the topics of gender equity, technology, and youth as pathways to the museum sector's future.
This is more than a brand blockbuster with the draw of big bling; it's a story about the emancipation of women, of history, of people - a mapping of the 20th century zeitgeist.
In the first such case to head to the Federal Court, the ACCC targets misleading products on the tourist market manufactured by Indonesian company Birubi Art.
Rhana Devenport has a vision, but the Auckland Art Gallery's budget is insufficient to deliver it.
They used to be quiet spaces; now they are the quiet achievers. We can all learn from libraries' successes in recalibrating for 21st century audiences.
The Culture Cycle is a new series that asks whether Australia’s arts and cultural sector looks like Australia.
After seven months closure, the Joan Sutherland Theatre has reopened after a multi-million dollar upgrade for Sydney’s iconic venue.
2017 was big: big empathy, big blockbusters, big harassment, big lobbying and big shifts in the visual arts ecology as a note of resilience kicked in.
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