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Instagram offers visitors authority and agency in sharing their experience, a trend which galleries are keen to tap into.
In 2017, musician, composer and music teacher Erica Bramham set herself the challenge of writing a song a day. Here's what she learned.
In this extract from the latest Platform Paper, Polyglot Artistic Director/co-CEO Sue Giles reflects on the ways that listening to and working with young people might help adults shift their thinking.
Queensland artists from the dance, circus and contemporary music sectors will perform alongside a range of international talents at Festival 2018 Gold Coast.
‘We don’t feel disadvantaged being in the regions. In fact, we see this as an opportunity,' says former Four Winds Chair Sheena Boughen.
Mapping the brain reveals that creative people are better able to co-activate brain networks that usually work separately.
To change or keep as is? A director, a playwright, a live artist and a choreographer reflect on revisiting and remaking existing works.
JanArtsNYC attracts over 45,000 performing arts leaders and artists to New York, but has lacked an Indigenous focus – until now.
Forty years of data reveal a significant price gap between the results achieved for male and female artists across global art auctions, a UTS study claims.
Regardless of the outcome of their particular struggle, all of these 100 women were brave.
Three creative entrepreneurs – the founders of Parlour Gigs, Underground Cinema and Envato – share how they got started; how they got funding, and how you stay on track.
More divine than human…
A very passionate and personal tribute to one of the legendary pioneers of electronica.
52 ARTISTS 52 ACTIONS is a year-long art project that uses Instagram to talk about current political and social issues, replacing fake news with art that speaks truths.
They used to be quiet spaces; now they are the quiet achievers. We can all learn from libraries' successes in recalibrating for 21st century audiences.
Healthier work habits are needed in the theatre so that actors can leave roles behind them and avoid emotional hangovers once they're offstage.
Tired of big budget, big tech talk when it comes to innovation? Then start with old fashioned talking: it's proving the best cut-through for future-proofing organisations.
The Culture Cycle is a new series that asks whether Australia’s arts and cultural sector looks like Australia.
A new installation at Carriageworks is the next chapter in Grosse’s somewhat unorthodox journey with painting. What drives her and what does she value?
Where do the boundaries lie between exploring every possibility an acting role offers and still behaving appropriately, with respect to other performers?
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