Torch Theatre Company Ltd
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From 3D printed guns to fashion accessories and kids playing blocks, HELLO WORLD is an exhibition that looks at the impact of code on contemporary design.
The annual Australian invasion of Edinburgh is about to begin. What attracts them in such numbers? And with over 130 Australian shows to choose from, which should you see?
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
Devenport brings international perspective to Adelaide, and is the first female director in the gallery's history.
Hannaford excels as Carole King. She’s energised, mournful, ecstatic, introverted, forgiving and gutsy.
Elbow Room's Prehistoric is a stand-out piece of theatre.
MTC’s revival brings a robust render to the narrative of unavoidable corruption in a money-made society.
Two esteemed Australian musician colleagues collaborate in a unique project.
12 actors offer advice for making the best impression at an audition and how to avoid putting yourself through the emotional wringer.
In a world premiere, the exhibition ‘Mandela My Life’ will bring Mandela's rich legacy to life through rare objects and archives.
Victorian Opera has gone where other Australian companies fear to tread, and emerged all the better for it.
Daniel Buren uses steroid-sized children's building blocks to speak about our relationship with the world.
A major survey exhibition tracks a 40 year career, and looks at how an artist has changed the perception of bark painting nationally and internationally.
This exhibition communicates a sense of otherness that is very ugly and brutal, but sadly the experience of many Australian Muslim artists.
We can't ever go back, but some journeys require walking the same path again.
Museum Hack founder Nick Gray, turned the "museum tour" on its head at the Creative State Summit, offering new ways to attract audiences.
Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is inviting submissions to join Carme Pinós’ vision.
The NSW Regional Cultural Fund has committed $8.592 million to Bundanon Trust, and the future development of Arthur Boyd’s Riversdale property.
ArtsHub speaks to New York-based photographer and installation artist Spencer Tunick about global activism and what it's like to direct a crowd of naked people for art.
Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context?
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