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NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
Opinions & Analysis
If we only focus on developing art that is readily consumable, we risk contributing to a homogenous theatre.
Unlocking a child’s imagination is just the beginning when it comes to creating theatre for young people. ArtsHub asked two expert Producers in Children's Theatre how the job gets done.
A recent panel discussion at Sydney Contemporary unpacked the ideas around how the performed body can either uphold or defy systems of oppression and identity.
Sydney Contemporary art fair was the setting for a long overdue debate on ‘gender discounting’ within the contemporary art market.
Violin virtuoso Ray Chen discusses how social media provides audiences with wider access to classical music, and shares his advice for budding artists.
An Australian art business takes on the toughest art market in the world – and it’s making waves.
Independent artists sometimes have only a vague sense of how working with a producer might benefit them - or even what a producer does.
The National Gallery of Australia had one of the largest acquisition budgets in the world in the 70s. A new exhibition forces us to question the value of the arts today.
Absolute Humidity sounds more like a weather app, but unlike the weather, this publication is razor sharp accurate in mapping cultural engagement with the Asia Pacific.
ArtsHub spoke with artist run spaces to ascertain whether smaller towns are more receptive to ARIs, and whether it’s a tougher gig than their city counterparts.
From a kitty-inspired kids project to talks that tap into a global zeitgeist, site-responsive installations and videos to rival box office hits, Sydney Contemporary is the full buffet experience.
New Zealand's Prime Minister and Minister for Arts, Culture and Heritage says art should be for the many, not the few.
Craft is a global movement – it’s a human movement – and a new Festival of short film leverages our screen-based lives to encourage interest in the handmade.
This exhibition shows that Ledger was so much more than an actor; he was an inspiration to anyone with a creative inclination to experiment – to just do it.
A portrait of him won the Archibald Prize in 1966, a Melbourne hotel was named after him, and he even wrote a manifesto that shaped Australian art history. Blackman’s legacy is great.
Research shows that when employees can’t concentrate, they tend to communicate less. They may even become indifferent to their coworkers.
The strong emotional connections and resonances of literature can happen at any time.
A 30 year acting career sounds glamorous, until you realise that like many in the industry, Bruce Hopkins has supplemented his income by doing everything from MC work to house painting.
Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms?
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