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Showing all news in Opinions & Analysis
We have reached Year Zero, a point where cultural policy and infrastructure no longer serves the interests of the arts, the artists or society.
Opinions & Analysis
The idea of creative industries is based on an economy that has no way to count the things that matter.
The arts may contain the answer to a failing society but only if we stop buying in to the dominant economic model.
Probably not, but the use case is changing globally. Better data is essential to keeping up with customer needs.
The US market is booming with the highest ever level of sales but China's decline has punctured the global art market.
The British Museum owns a number of priceless pieces of Aboriginal art, and claim they’re the best possible home for Australian heritage items.
The resurgence of ceramics is being nudged over by a new interest in glass, with a burst of exhibitions and prizes.
As a freelancer you don’t have the power to set the agenda and you can’t afford to argue with those who do. But there are still ways of influencing the outcomes.
Singapore has positioned itself as a regional hub, throwing vast amounts of money into cultural infrastructure. Is there a place for Australia its regional scope?
Modern museums often want to be global citizens but there are risks of homogenization and challenges from national agendas.
Tired of the banal cookie-cutter art dished up for public locations? The new rules break the old rules to encourage a more creative community landscape.
Asking for copyright for photographs you paid for sounds like a savvy move but it may not provide value for money.
Philanthropists are increasingly interested in capacity building and impact investing but while small-to-mediums take advantage, a new Platform Paper says major organisations have been slow to embrace the opportunities.
Dreaming of a vital arts sector can be empowering but it can also be depressing.
Matilda The Musical and the young actors who play her project a culture that values confidence and capability not childhood innocence.
Streaming has overtaken physical formats as the number one way music is consumed but are creators getting a fair share?
How it is that the art world has become a menagerie, at the same time as questions are being asked about the ethics of using animals in other entertainment contexts?
Key stakeholders within the Indigenous art business give their tips on where to go and how to buy artworks ethically.
It can be awkward to ask for money you are worth but if you don't, there is a queue of event organisers ready to ask you to work just for 'exposure'.
How does a manager balance the individualism needed for elite performance with the collectivism of an ensemble? A little help from workplace management helps.
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