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Showing all news in Features
Small-to-medium Australian performing arts companies are enjoying a growing international reputation but at a high cost.
The mainstreaming of geek culture means the arts are now targeting the disposable income of a once-derided demographic.
The ubiquitous ‘selfie’ dominates social media, but how do we differentiate between a vanity snap and legitimate art?
A curator used to be a caretaker of objects. But now curators work with words, images and ideas often in the virtual world.
Growing up, everyone has a favourite comic book hero. While most kids don’t end up drawing them, illustrator Nicola Scott did.
The executive behind Buffy The Vampire Slayer, Susan Cartsonis says giving women more film jobs makes financial sense.
If an algorithm can construct a narrative, what is the role for a museum or gallery?
Faster network speeds, accessible technology and wider acknowledgement have allowed electronic art to flourish.
Industry experts at the Emerging Writers' Festival reveal everything budding writers need to know when dealing with the gatekeepers of publishing.
Projecting its own obsession with materiality back into its auditoriums, Cannes Film Festival is chiefly concerned with artifice.
Famous creatives from Danielle Steel to Peter Carey started their writing careers as copywriters – why not you?
We talk to self-publishing authors who have sold over 1.5 millions books, signed publishing deals and generated additional income.
From theatre to multimedia, collaboration is at the core of the creative process. The AFTRS journal Lumina is tackling the question of what it means to be engaged in a collaborative art form.
Great expectations and a virtual world are among the megatrends changing the role of museums and arts organisations.
In the internet age, paper is becoming the province of obscure and eclectic niche subjects.
Angry creditors who performed at Peats Ridge have joined the queue of artists asking what they can do when they don't get paid.
The mobility of an arts career is an advantage but re-establishing yourself can be another full-time job.
The arts are a powerful tool for social change but it takes more than good intentions for an arts project to really make a difference.
Award-winning playwright behind Jersey Boys and The Addams Family tells us what writers can learn from advertising, listening, exercise and gin.
Playwrights are doing less writing and more listening as they rework true-life stories from gay parenting to race riots.
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