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Showing all Professional Development news in Features
Sustaining work in the arts is always a challenge, but in times of adversity it can be even harder to persevere. So how do we harness that capacity? And how do we build a strong community that can weather the storm together?
Advice from business leaders on asking governments for money, embedding culture in the political agenda, and getting the language right when you come to the table.
It's the perennial question: how do you stay motivated in a job that you love after years? This classic article has tips from industry leaders.
Five artists from Maningrida in West Arnhem Land are finally departing for their Paris exhibition at the Australian Embassy.
Nothing comes easy, especially with disabilities art. Three international leaders talk about the burdens and wins of activism, visibility, failure and collaboration as pathways to greater inclusion.
Regularly travelling as part of your arts practice can quickly become hard work, so we spoke to artists and writers who do it regularly to see how they maintain their mental health on the road.
Women in theatre are warned not to have children because motherhood will derail their careers, but in the US, a new movement is seeing parent artists advocating for change.
With any new idea, creative direction, or career path, there are common blocks that stand in our way. Madeleine Dore shares tips on overcoming procrastination, self-doubt and distraction to get started.
Does alcohol lubricate our creativity or stifle our best work? Creatives weigh in on how sober stints have impacted their creative process and offer advice for rethinking your relationship with alcohol.
Research shows that when employees can’t concentrate, they tend to communicate less. They may even become indifferent to their coworkers.
Sponsorships are not philanthropic donations – they are business investments from which companies want a return. We ask major sponsors what's in the deal for them.
Working on the festival circuit is like a fairground ride: fast paced and exhilarating, but also exhausting and hard to jump off.
Some artists are inspired by pushing their practice – and themselves – to the edge. We take a look at the experience of the extreme residency.
In this extract from the latest Platform Paper, Polyglot Artistic Director/co-CEO Sue Giles reflects on the ways that listening to and working with young people might help adults shift their thinking.
To change or keep as is? A director, a playwright, a live artist and a choreographer reflect on revisiting and remaking existing works.
What is intrapreneurship and how is it affecting the future of work? A panel of experts explores how organisations can change themselves from the inside out.
Strategies for disarming sexism for people working in the arts and cultural sector.
The arts can be difficult to navigate at the best of times, but what if your particular challenges are invisible? Here's how the sector can pay attention, remove the stigma and better support individuals.
Back to Back Theatre's Alice Nash on the ingredients needed to make great work, and the value of such work for a civil society.
For Anna Davis curating is a kind of laboratory where you can test out ideas and discover new things. Having a background as an artist helps.
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