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Showing all Professional Development news
Starting in a gallery and working as a PA helped Emilya Colliver establish three healthy, interrelated businesses that are taking Australian culture globally.
Got an EOFY performance review looming? We've got advice to help you ace it.
Most people find self-promotion icky and uncomfortable. Here’s how to do it well.
Working in an organisation going through a restructure or redevelopment can be a boon or a bust for your career.
Looking after yourself is an important part of maintaining creative energy
In order to say yes to the good stuff, you’ve got to learn to say no.
Six strategies to assist arts practitioners in achieving a healthier professional life.
Artists aren’t the problem when it comes to self-care; it’s the culture we work in which damages people. It’s time to change that.
We learn by failing, but rarely talk about it. Here, artists and arts workers from diverse sectors reflect on what their mistakes have taught them.
Rather than skilling up, we suggest toning down for success.
Young workers expect older colleagues to get out of the way, freeing up jobs and ceding key cultural spaces.
We know people are more likely to hire people like themselves. So how do we break a pattern where Artistic Directors and Gallery Directors are mostly male, even though women are the majority of arts industry workers?
Creative workers need to know that they are understood and valued as a whole person and not an expendable unit of production value.
The old adage is that people leave managers, not jobs. But new research suggest that is not necessarily the case.
Finding the right person is critical in an arts organisation where directors play a vital role.
CGI is close to being indistinguishable from the real thing. Could actors find themselves auditioning against a dead or imaginary competitor?
A great moderator can make the difference between a boring discussion and a memorable one. Here are some tips to help your facilitation fire on all cylinders.
Working in multiple roles – for instance as a writer/actor/director/producer – is increasingly common but the multiple satisfactions come with equivalent challenges.
Enlightened universities are now embedding the principles of design and creativity into their business schools, as businesses recognise the value of arts education.
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In a world where you can be simultaneously on a suburban bus and at a concert half a world away, art needs to rethink the meaning of live.
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