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Showing all Visual Arts news in Features
Textile art is back bolder and more conceptually-driven than ever before, challenging definitions of material and practice.
A study of UK arts businesses shows most are failing to take advantage of modern technology to market their businesses effectively.
Lost audiences cost five times more to re-engage than it costs to retain them so get retention right.
Despite decades of investment in audience development and the current enthusiasm for all things data, arts organisations still aren’t getting it.
Not many artists choose posthumous publication but the children's author has more than a cat under his hat.
An increasing number of designers are working without pay, pinning their hopes on prize money to bankroll their work.
In the future, social media will be as common as Paypal for making purchases. How will that impact on the arts sector?
With the rise of art fairs and biennales internationally, Australian artists are competing in global shopping malls that dictate the market for good or ill.
Is an over-sized milk crate better than a bronze of another eminent white male? Multi-million dollar commissions make public art an increasingly polarising topic.
The shop has become a key component to the museum experience, but also a robust revenue stream vital to galleries of all scales.
Great, someone wants to come to your show. But make booking too hard and they might give up or never return.
An obsession with names of artists, instead of the quality of the art is a key to the problem of fakes.
Conversation equals wealth if you know how to leverage casual encounters into marketing opportunities.
Artists' residencies are primarily about time and space to create but the dream is a stunning location where beauty inspires creativity.
As privacy campaigners consider the dangers of mining metadata, we look at the implications for the arts of your online footprint.
Best-selling author Elizabeth Gilbert took aim at the often-paralysing traits of fear and perfectionism in her talk on "How to be creative" at the All About Women festival this week.
Harnessing a creative vision into a workable strategic model needs acute thinking, skillful writing and huge commitment.
Technology makes everyone a creative with a distribution network so where does that leave the professionals?
Audience engagement requires a level of emotional investment that means people want to spread the word.
You already know the demography of your audiences but do you understand why it is skewed? The equation is complex.
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