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Showing all Performing Arts news
Violin virtuoso Ray Chen discusses how social media provides audiences with wider access to classical music, and shares his advice for budding artists.
Independent artists sometimes have only a vague sense of how working with a producer might benefit them - or even what a producer does.
A 30 year acting career sounds glamorous, until you realise that like many in the industry, Bruce Hopkins has supplemented his income by doing everything from MC work to house painting.
Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms?
The annual Australian invasion of Edinburgh is about to begin. What attracts them in such numbers? And with over 130 Australian shows to choose from, which should you see?
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
Hannaford excels as Carole King. She’s energised, mournful, ecstatic, introverted, forgiving and gutsy.
Elbow Room's Prehistoric is a stand-out piece of theatre.
MTC’s revival brings a robust render to the narrative of unavoidable corruption in a money-made society.
Two esteemed Australian musician colleagues collaborate in a unique project.
12 actors offer advice for making the best impression at an audition and how to avoid putting yourself through the emotional wringer.
Victorian Opera has gone where other Australian companies fear to tread, and emerged all the better for it.
Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is inviting submissions to join Carme Pinós’ vision.
Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context?
Artists do their best work when they feel confident to play, when they feel they are not being judged, when they are spoken to with respect.
Opinions & Analysis
What is the responsibility of theatre-makers towards live shows that either were created or are set in the past – especially when they depict events which are problematic by contemporary standards?
Remember, an artist's statement is a practical and professional tool. It doesn’t have to be a complicated academic paper. Here are 7 tips to getting it right.
Italian Maestro Riccardo Muti conducts the exceptional Australian World Orchestra at the Sydney Opera House for the opening of their 2018 concert season.
Three composers reflect on the influences and events that shaped their careers and offer advice for those following in their footsteps.
Working on the festival circuit is like a fairground ride: fast paced and exhilarating, but also exhausting and hard to jump off.
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