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Showing all Performing Arts news
A smutty and delightful performance that makes other cabarets look tame.
For writers, performers and other artists, social media can be both fertile and frightening. ABC’s Osman Faruqi shares some tips on how to take care of yourself online.
Arts and wellness educator Molly W. Schenck talks about how to have tough conversations in art without traumatising collaborators.
Opinions & Analysis
National Theatre Drama School Artistic Director Trent Baker shares his top tips on delivering your best auditions.
Being a performer can teach handy techniques that can help when coping with anxiety.
From art criticism to language choice, disability and education - local and international leaders in the disability arts sector offer tips for greater inclusive practice.
Gillian Armstrong and Pearl Tan speak out on taking over the power positions in film, TV and theatre, plus how women can build sustainable careers.
A spectacular work of dance imprisoned in a plodding narrative.
This ‘CineConcert’ brings together superb filmmaking, a brilliant score, and the orchestra displaying their versatility.
Two women in a bind discover that friendship adds piquancy to their lives in this fast-paced, comedic two-hander.
It may be Bach heard through different languages, instruments and times but the glory still resonates.
Dublin Fringe continues with Derek Byrne’s debut play based on a real-life encounter at a cruising spot, and a madcap, high-energy performance from Lords of Strut.
Being an ally means being prepared to do the difficult work towards structural change.
A one-man show about loneliness, longing, and social media-enhanced isolation, and a dance theatre piece exploring call-out culture through a comic book lens.
Whether I’m a sensitivity reader, a dramaturge, or a plain old editor, I’m looking at how your text might be read.
Nothing comes easy, especially with disabilities art. Three international leaders talk about the burdens and wins of activism, visibility, failure and collaboration as pathways to greater inclusion.
Hyperlocal, decolonial, diasporic, idiosyncratic – how Australia’s international arts programming is changing.
SSO’s concert performance of Britten’s opera brought out the best of the best – so where was the audience?
Looking for bigger audiences and permanence for dance experiences led Sue Healey to film as a way of capturing the experience.
ArtsHub talks to Polyglot Theatre and independent producers Nithya Nagarajan and Moira Finucane about the art and politics of touring.
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