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Showing all Performing Arts news
As Arts editor of the Sydney Morning Herald Joel Meares is used to fending off publicists but promoting his own book has reminded him of the skills great publicists cultivate.
Intuitition isn't just for creative work. It also has a place in the way you manage your career.
Great, someone wants to come to your show. But make booking too hard and they might give up or never return.
Conflict is inevitable in a sector where collaboration is common and being an artist doesn’t always lead to creative solutions.
Learn how to master social media in the arts with advice from artists, comedians, stylists, business owners, and writers.
Improvisation skills can deliver work by improving audition performance and providing a strong background for corporate training.
Opinions & Analysis
Will future historians view the internet as heralding a new Dark Age, a time of lost opportunity and widespread cultural regression?
Conversation equals wealth if you know how to leverage casual encounters into marketing opportunities.
Artists' residencies are primarily about time and space to create but the dream is a stunning location where beauty inspires creativity.
Best-selling author Elizabeth Gilbert took aim at the often-paralysing traits of fear and perfectionism in her talk on "How to be creative" at the All About Women festival this week.
Leveraging from data about your audience will ensure your venue is running at maximum efficiency.
Harnessing a creative vision into a workable strategic model needs acute thinking, skillful writing and huge commitment.
A sounding board, a warning bell, or a beacon of hope: a mentor can be any or all, but only if you develop the relationship.
This intimate gem of a work returns us to the primal rewards of masterful storytelling.
You already know the demography of your audiences but do you understand why it is skewed? The equation is complex.
A good mentor will help you fast track your learning, will challenge your thinking and will advise you in tough situations.
Fringe Festivals have powerful positive economic impacts for cities but not so often so the performers who make them.
If numbers tell the truth, the UK theatre industry is thriving. But plays don't come off a production line so productivity is a poor measure of success.
Artists don't make much money from Spotify, but that doesn't mean we should all follow Taylor Swift's lead and quit.
With hundreds of other shows, and thousands of other artists to compete with at Fringe, how to lesser-known artists get attention?
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