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Showing all Museums news
Despite decades of investment in audience development and the current enthusiasm for all things data, arts organisations still aren’t getting it.
Nothing is stronger than a habit, wrote the Roman poet Ovid. But you have the power to choose what those habits will be.
Science has shown us the facts but art is needed to stimulate action on climate change.
Opinions & Analysis
In the future, social media will be as common as Paypal for making purchases. How will that impact on the arts sector?
You probably know you should have a business plan. Did you know you might need two?
The bridge between the amateur and professional worlds of creative arts takes an unreliable and circuitous route.
Australia’s only female director of the National Gallery of Australia, Betty Churcher dies at the age of 84.
As Arts editor of the Sydney Morning Herald Joel Meares is used to fending off publicists but promoting his own book has reminded him of the skills great publicists cultivate.
Intuitition isn't just for creative work. It also has a place in the way you manage your career.
Is an over-sized milk crate better than a bronze of another eminent white male? Multi-million dollar commissions make public art an increasingly polarising topic.
The shop has become a key component to the museum experience, but also a robust revenue stream vital to galleries of all scales.
Will future historians view the internet as heralding a new Dark Age, a time of lost opportunity and widespread cultural regression?
Conversation equals wealth if you know how to leverage casual encounters into marketing opportunities.
New developments bolster the AGNSWs Art and Dementia program, ensuring greater research and more access to events.
The top chairs are not reserved exclusively by men - though the numbers remain out of kilter - exposure helps a shift in attitude.
Harnessing a creative vision into a workable strategic model needs acute thinking, skillful writing and huge commitment.
Galleries tout access opportunities for disabled patrons but the real situation is dismal for blind art-lovers.
Technology makes everyone a creative with a distribution network so where does that leave the professionals?
Audience engagement requires a level of emotional investment that means people want to spread the word.
You already know the demography of your audiences but do you understand why it is skewed? The equation is complex.
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