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Showing all Writing & Publishing news
Screenwriter, script advisor and educator Kathryn Burnett schools you up on nailing your script.
Creative ageing is a two-fold problem: the crisis of our artists ageing into poverty, and the lack of sustainability in training and programs as a broader public ages creatively.
Do you freeze at the thought of doing an interview with the media? Here are a few tips on how to conduct yourself like a pro when a microphone is shoved up your nostril.
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
Opinions & Analysis
Absolute Humidity sounds more like a weather app, but unlike the weather, this publication is razor sharp accurate in mapping cultural engagement with the Asia Pacific.
The strong emotional connections and resonances of literature can happen at any time.
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
We can't ever go back, but some journeys require walking the same path again.
Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is inviting submissions to join Carme Pinós’ vision.
Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the model might guarantee greater success. But does this realistically translate to the arts context?
The internationally renowned fantasy novelist reveals the magic behind his writing, and why it’s good to talk to your characters.
Remember, an artist's statement is a practical and professional tool. It doesn’t have to be a complicated academic paper. Here are 7 tips to getting it right.
For any artist, the sting of criticism is inevitable. Here’s how to distinguish when it’s useful, how to handle it, and when to ignore it.
Looking back over 12 years of social practice in Sydney’s West, Curator Anne Loxley speaks to ArtsHub about how C3West has shaped new modes for cultural engagement and defined communities.
The limited and skewed portrayal of autism means it is often misrepresented rather than represented in fiction, which can be extremely isolating for autistic children.
Good poetry plucks at the heartstrings; it speaks to the emotions as well as to the intellect.
Two Sisters is literary journalism at its best.
Deadly Woman Blues should not be forgotten. It remains a useful and instructive example, albeit unintentionally, of the authorial burdens and responsibilities inherent in publishing other people’s stories.
An author, a literary agent and a copyright expert discuss ways authors can navigate the digital landscape to make money from their art.
Some artists are inspired by pushing their practice – and themselves – to the edge. We take a look at the experience of the extreme residency.
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