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Showing all Visual Arts news
Why Australia's space race is caught in nostalgia, when we should be asking if it’s responsible to glorify space advancement at the cost of society, and how artists are shifting that conversation.
Opinions & Analysis
Opera Australia has premiered its first new work in nearly a decade, and it’s quintessentially Australian, both in subject and tone, but does it capture the spirit of artist Brett Whiteley?
With the ageing of many senior figures in the cultural sector, Michael Reid makes a case for succession planning for galleries using his own experience as a case study.
ArtsHub speaks with six curators on the merits of painting gallery walls to heighten audience engagement, build narrative or just make the artworks pop.
Australian organisations join global campaign to recognise women artists, starting with an all-day intervention by the National Gallery of Australia.
Rebranding is more than switching logos. It should be a total recalibration of how your audiences engage with your collections.
Technology use is leading a wellness revolution and more authentic place making according to speakers at REMIX Sydney.
A painting measuring just 22cm by William Dobell has sold this week at Auction just shy of $1M, lifting spirits across the market.
Giorgione is one of the most enigmatic figures in Renaissance art, and yet a drawing of his has been discovered in a University of Sydney library book.
Perth Festival artist Cassils offers their read on gender stereotyping, cross-generational mentoring, how to use training as transformation and doing "all-nighters" for art.
2018 was big: big blockbusters, big lobbying, big cock-ups and big shifts at the top end for the visual arts.
The Australia Council has revealed details of Angelica Mesiti’s project ASSEMBLY, to be presented at the 2019 Venice Biennale.
Three exhibitions in London: Oceania, the new Islamic display at the British Museum, and the Turner Prize.
No new building, more digital content, a Mitzevich collection rehang and a year of blockbusters; all part of the vision to turn the National Gallery around for 21st century engagement.
The British street artist has joined a tradition of visual artists, including Marcel Duchamp and Francis Picabia, whose work critiques the very art world of which they were part.
It's easy to talk about breaking glass ceilings and taking risks, but the National Gallery's Assistant Director Alison Wright shows us how it's done.
From a new art market platform to a commission to mark the national apology to Child Sexual Abuse, ArtsHub recaps the week's arts news.
William Kentridge shared wisdoms of life in the studio – including embracing stupidity, bastardry and saying no – during his recent visit to Sydney for his AGNSW exhibition.
A new program led by the British Council pairs Australian and British arts colleagues from minority and First Nations backgrounds to affect future decision making.
Curated by Kentridge himself, this is a great celebration of creative engagement and its capacity to dovetail into every aspect of life.
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