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Showing all Performing Arts news
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share their experiences around creating new outdoors performance spaces.
Comedian Chris Ryan was as surprised as anyone to find herself nominated for best newcomer at this year’s Melbourne International Comedy Festival – then again, she’s been doing comedy for 9 years and life for 48.
Opinions & Analysis
Three Australian artists explain how they have adapted their practices since arriving in the UK in the midst of the pandemic.
The classical music sector has long been dominated by men, a situation only amplified for classical saxophonists. The sexism in the industry needs to change, says performer, researcher and educator Jazmin Ealden.
After 49 weeks, The Boy Who Lived returns to the Melbourne stage; the first international production of the sequel to return after COVID 19. But does the story survive in 2021?
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K. Rowling’s transphobia on the Harry Potter brand.
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust arts industry that is ready for anything and anyone, argues Fleur Kilpatrick.
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged determination means the shows can go on.
The theatre sector needs a trauma-responsive rehearsal process, argues community-engaged artist Claire K. Redfield.
If you’re a talented problem solver, passionate about the music industry and keen to help artists go far, then a career in artist management may be for you.
A family friendly vibe, Galea leads the way as our charming host of Best Trick Ever presented at the Sydney Opera House.
Comedian, actor, writer and director Sam Longley beautifully brings to life the 'revised' version of Jack and the Beanstalk.
In times like these we are privileged to be presented with a magnificent triple bill full of splendid playing.
With a perspective from US theatre, Elsa Hiltner believes now is the time to talk about equity in pay and that it will improve the works produced.
This production transcends any age barrier to bring the purest of theatrical magic to the Capitol Theatre in a glacier clear reflection of Disney values.
The Christmas story becomes a salve, a symbol of warm hope after a year of trauma.
Come along and slap your thighs and stamp your feet to a musical that will never die!
No shortage of portraits on the Sydney Theatre Company stage as Oscar Wilde is re-envisioned and revered by a remarkable performance, state of the art tech and inspired directorial vision.
The quote describing 'dancers as space-eaters' was not coined with site-specific works directly in mind, but it certainly rings true for the in-situ show SITU-8.
This outstanding play by Angela Murphy welcomes back live theatre performances in Cairns.
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