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Showing all Performing Arts news
Independent producers from Brisbane, Perth and Melbourne offer advice for those who are just starting out in the game.
In retelling the long and often bitter campaign for gay law reform in Tasmania, the new production ‘The Campaign’ not only preserves history, it helps ensure its survival.
From a new art market platform to a commission to mark the national apology to Child Sexual Abuse, ArtsHub recaps the week's arts news.
Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement – protested last night as lights turned on.
Creative ageing is a two-fold problem: the crisis of our artists ageing into poverty, and the lack of sustainability in training and programs as a broader public ages creatively.
Do you freeze at the thought of doing an interview with the media? Here are a few tips on how to conduct yourself like a pro when a microphone is shoved up your nostril.
Artshub takes a look at how the rise of cultural tourism is trickling into regional Australia and towards bespoke individual offerings, with the revised thinking as "creative tourism".
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
Opinions & Analysis
A recent panel discussion at Sydney Contemporary unpacked the ideas around how the performed body can either uphold or defy systems of oppression and identity.
Violin virtuoso Ray Chen discusses how social media provides audiences with wider access to classical music, and shares his advice for budding artists.
Independent artists sometimes have only a vague sense of how working with a producer might benefit them - or even what a producer does.
A 30 year acting career sounds glamorous, until you realise that like many in the industry, Bruce Hopkins has supplemented his income by doing everything from MC work to house painting.
Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms?
The annual Australian invasion of Edinburgh is about to begin. What attracts them in such numbers? And with over 130 Australian shows to choose from, which should you see?
Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation.
Hannaford excels as Carole King. She’s energised, mournful, ecstatic, introverted, forgiving and gutsy.
Elbow Room's Prehistoric is a stand-out piece of theatre.
MTC’s revival brings a robust render to the narrative of unavoidable corruption in a money-made society.
Two esteemed Australian musician colleagues collaborate in a unique project.
12 actors offer advice for making the best impression at an audition and how to avoid putting yourself through the emotional wringer.
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