The 70/30 split versus truly valuing an artist’s work Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Know my name – and don’t forget it (locked) Australian organisations join global campaign to recognise women artists, starting with an all-day intervention by the National Gallery of Australia. Rebranding for relevance (locked) Rebranding is more than switching logos. It should be a total recalibration of how your audiences engage with your collections. Wellness as the new disruptor (locked) Technology use is leading a wellness revolution and more authentic place making according to speakers at REMIX Sydney. Clearly, size doesn't matter (locked) A painting measuring just 22cm by William Dobell has sold this week at Auction just shy of $1M, lifting spirits across the market. (Premium content) Premium content Joe Frost Monday 21 August, 2017 A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Image CC Member login Email address Password Forgot password? About the author Joe Frost is an artist represented by Watters Gallery, Sydney. He is a Lecturer in Drawing at the National Art School and has written over thirty articles, catalogue essays and exhibition reviews for various publications including Artist Profile, The Australian Financial Review, Art and Australia and Art Monthly.