The 70/30 split versus truly valuing an artist’s work Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Angelica Mesiti’s multi-screen ASSEMBLY to show at Venice Biennale The Australia Council has revealed details of Angelica Mesiti’s project ASSEMBLY, to be presented at the 2019 Venice Biennale. Review: Three exhibitions in London, Oceania, Turner Prize and new Islamic galleries Three exhibitions in London: Oceania, the new Islamic display at the British Museum, and the Turner Prize. Mitzevich finds the answers to lead the NGA in its DNA (locked) No new building, more digital content, a Mitzevich collection rehang and a year of blockbusters; all part of the vision to turn the National Gallery around for 21st century engagement. Banksy and the tradition of destroying art (locked) The British street artist has joined a tradition of visual artists, including Marcel Duchamp and Francis Picabia, whose work critiques the very art world of which they were part. (Premium content) Premium content Joe Frost Monday 21 August, 2017 A world in which dealers would take a 70% commission on an artist's work is a world beholden to the false images of marketing. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Image CC Member login Email address Password Forgot password? About the author Joe Frost is an artist represented by Watters Gallery, Sydney. He is a Lecturer in Drawing at the National Art School and has written over thirty articles, catalogue essays and exhibition reviews for various publications including Artist Profile, The Australian Financial Review, Art and Australia and Art Monthly.