What the arts industry can learn from Lego Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Whiteley, Opera Australia Opera Australia has premiered its first new work in nearly a decade, and it’s quintessentially Australian, both in subject and tone, but does it capture the spirit of artist Brett Whiteley? Beef, coal, and hot tracks: Aus music exports earn $195 million each year Australian music is performing remarkably overseas, according to a new Australia Council report. Review: Doppelgangster's Cold War, Prague Fringe Festival It’s easy to let the trajectory of the aural-optical assault wash over you, but blink and you’ll miss it all. How circus and theatre support young people’s mental health (locked) New studies in SA and WA demonstrate the positive impact of the performing arts on young people’s mental health and wellbeing. (Premium content) Premium content Fiona Maxwell Friday 25 August, 2017 In times of challenge, organisations in different sectors can teach the arts valuable lessons about streamlining and sticking with what we're good at. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Image via Shutterstock.com Member login Email address Password Forgot password? About the author Fiona Maxwell is the CEO of Brisbane Powerhouse. Her career has spanned the non-profit, government and university sectors in Australia and the USA. Prior to Brisbane Powerhouse, Fiona was Queensland Manager for Philanthropy Australia, establishing the Brisbane office and supporting philanthropists and non-profits alike to grow the sector.Fiona’s role as Queensland Manager, Artsupport Australia encompassed growing cultural philanthropy as well as supporting the non-profit sector to build stronger and more sustainable relationships with its supporters. Prior to this role, Fiona was Executive Director of the Next Wave Festival. She has been Chair and board member of organisations including industry service and peak bodies, an internet start-up and philanthropic grant-making committees. Fiona holds a Bachelor of Arts from QUT, and a Masters from the University of New South Wales.