Theatre, trauma and the age of Trump Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Britten’s Peter Grimes in Concert, Sydney Symphony Orchestra (NSW) SSO’s concert performance of Britten’s opera brought out the best of the best – so where was the audience? Capturing dance’s disappearing act (locked) Looking for bigger audiences and permanence for dance experiences led Sue Healey to film as a way of capturing the experience. Know before you go: how to tour abroad ArtsHub talks to Polyglot Theatre and independent producers Nithya Nagarajan and Moira Finucane about the art and politics of touring. The first rule of theatre criticism Fight director, actor, critic and dramaturge Dr Danielle Rosvally starts all her theatre students off with one simple lesson which begins with critical skills in the car park. (Premium content) Premium content Emily White Friday 20 January, 2017 Perhaps you’re not ready to have the intersectionality conversation with your Trump-supporting uncle. But you could share a theatre that bridges the gap. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today What comes next? You've been freed. Do you know how hard it is to lead? You're on your own. Awesome. Wow. Do you have a clue what happens now? Member login Email address Password Forgot password? About the author Emily White holds a BA in Theatre Studies: Acting and Dramaturgy from Emerson College. She resides in Boston, MA, where she works as an actor and dramaturg.