Imaginary superstar rides a new wave of feminism Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Whiteley, Opera Australia Opera Australia has premiered its first new work in nearly a decade, and it’s quintessentially Australian, both in subject and tone, but does it capture the spirit of artist Brett Whiteley? Beef, coal, and hot tracks: Aus music exports earn $195 million each year Australian music is performing remarkably overseas, according to a new Australia Council report. Review: Doppelgangster's Cold War, Prague Fringe Festival It’s easy to let the trajectory of the aural-optical assault wash over you, but blink and you’ll miss it all. How circus and theatre support young people’s mental health (locked) New studies in SA and WA demonstrate the positive impact of the performing arts on young people’s mental health and wellbeing. (Premium content) Premium content Annika Priest Tuesday 25 March, 2014 A daring work partly created by a nine-year-old prompts UK parliamentary attention and the approval of Yoko Ono and Neil Gaiman. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Kimmings with niece Taylor in Credible Likeable Superstar Role Model Member login Email address Password Forgot password? About the author Annika Priest is Entertainment Editor at Leader Newspapers and a freelance writer.