Craft: it's good for your health Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Vale Charles Blackman – Australia says goodbye to an Antipodean legend A portrait of him won the Archibald Prize in 1966, a Melbourne hotel was named after him, and he even wrote a manifesto that shaped Australian art history. Blackman’s legacy is great. Code, print and bang! How code is impacting design (locked) From 3D printed guns to fashion accessories and kids playing blocks, HELLO WORLD is an exhibition that looks at the impact of code on contemporary design. New York arts exec to head up Create NSW as CEO (locked) Elizabeth W. Scott has been named Executive Director, Create NSW, heading up the State’s peak arts and screen organisation. Rhana Devenport appointed as new Director Art Gallery of SA (locked) Devenport brings international perspective to Adelaide, and is the first female director in the gallery's history. (Premium content) Premium content Susan Luckman Thursday 9 August, 2018 Craft practices are being looked to as something of an antidote to the stresses and pressures of modern living. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Member login Email address Password Forgot password? About the author Susan Luckman is Professor: Cultural Studies in the School of Creative Industries and Research Director, Creative Work Mobilities Research Node, Hawke EU Centre. She is also Cheney Fellow at the University of Leeds, 2017-2018. Susan is an interdisciplinary cultural studies scholar whose work is concerned with the intersections of culture, place and creativity. Her research explores these relationships in relation to work in the cultural and creative industries, digital media, and grassroots innovation. She is currently Chief Investigator on a 4 year Australian Research Council Discovery Project 'Promoting the Making Self in the Creative Micro-economy’ which explores how online distribution is changing the environment for operating a creative micro-enterprise and, with it, the opportunities for mobile working lives and the impacts upon the larger relationship between public and private spheres this entails. She is also the leader of the 2017-2018 Erasmus+ Jean Monnet Project ‘Creative Industries and the Digital Economy as Drivers of EU Integration and Innovation’. Susan is the author of Craft and the Creative Economy (Palgrave Macmillan 2015), Locating Cultural Work: The Politics and Poetics of Rural, Regional and Remote Creativity (Palgrave Macmillan 2012), co-editor of The ‘New Normal’ of Working Lives: Critical Studies in Contemporary Work and Employment (Dynamics of Virtual Work Series, Palgrave 2018), Craft Economies (Bloomsbury 2018), Craft Communities (Bloomsbury 2019), and Sonic Synergies: Music, Identity, Technology and Community (Ashgate 2008), and author of numerous book chapters, peer-reviewed journal articles and government reports on cultural work, creative industries and creative micro-entrepreneurialism.