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The NGV Triennial: Why it puts Melbourne on the map

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Gina Fairley

With the inaugural edition of the NGV Triennial in full swing, we take a look at why it is needed and how it creates a point of difference.

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Installation view of Mass by Ron Mueck (2017), on display at NGV Triennial at NGV International, 2017 Photo: Sean Fennessy.

About the author

Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years, including the regional gallery, biennale and commercial sectors. She is based in Mittagong, regional NSW.

Twitter: @ginafairley
Instagram: fairleygina