Working in Asia: A different sense of space Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles The return of Moon Mania, but are we asking the right questions? (locked) Why Australia's space race is caught in nostalgia, when we should be asking if it’s responsible to glorify space advancement at the cost of society, and how artists are shifting that conversation. Beef, coal, and hot tracks: Aus music exports earn $195 million each year Australian music is performing remarkably overseas, according to a new Australia Council report. Creative solutions for better mental health (locked) Artists and arts workers around the world are increasingly aware of the importance of mental health. A group of NZ creatives share their inspiring solutions to confront the problem head-on. Know my name – and don’t forget it (locked) Australian organisations join global campaign to recognise women artists, starting with an all-day intervention by the National Gallery of Australia. (Premium content) Premium content Alison Carroll Monday 10 August, 2015 Appropriate museum display of Asian art requires an understanding of Eastern philosophy. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily ... and much, much more. Join Now and join the British arts community today Hiroshi Sugimoto Time Exposed: #367 Black Sea, Inebolu, Image via Paddle8 Member login Email address Password Forgot password? About the author Alison Carroll has been an academic, critic, writer, curator and administrator of art exhibitions and artist exchanges with Asia for over 20 years. She has curated over 40 exhibitions, including Out of Asia, the first exhibition to include Australian artists’ attitudes to Asia, in 1989, and the first major inclusion of contemporary Asian art at an Adelaide Festival, in 1994. In 1990 she established and was Director (until June 2010) of the Arts Program at Asialink, University of Melbourne, the main program for arts exchange between Asia and Australia for visual arts, performing arts, literature and arts management practice. She published a major book on 20th century Asian art The Revolutionary Century; Art in Asia 1900-2000 (Macmillan Australia) in 2010. She received the Visual Arts Board of the Australia Council’s Emeritus Medal 2006 and was made a Member of the Order of Australia (AM) in 2010 for her work at Asialink.